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Event Details
This booking is made for FREE transport from Nottingham to Loughborough. The bus will depart from outside the Student Union, Shakespeare Street, Nottingham Trent University, Nottingham.
Time of departure from Nottingham: 12 midday
Time of return from Loughborough: 5.30pm
Should these details change we will inform you
Folk Variations
Saturday 7 May 2011, 1-5pm
Various locations on campus
FREE
Artists re-imagine folk tradition in an exploration of how histories are made and disseminated to create an afternoon programme of performance, storytelling, screenings, discussion and music.
The afternoon of events will be launched with music, food and refreshments at 1pm in the foyer of Martin Hall on campus and concludes at Loughborough’s Carillon with an end of day celebration. A full schedule and location of events will be available on the day.
Hands Up! A Manual by Sally O’Reilly – 1.00-2.20pm
Tris Vonna-Michell – 1.30pm
(Limited capacity. There will be a booking sheet available on the day to sign up to see this performance).
Life in the Woods (working title) by Olivia Plender and Patrick Staff – 2.30pm
Training Through Production by Serena Korda – 3.45pm tbc
And ...
Storytelling workshop for children and families; live music and refreshments throughout the afternoon. Stalls providing further information on folk history and artists responses to folk culture.
Martin Hall
Loughborough University
Leicestershire
LE11 3TU
Disclaimer:
Programme details are correct at the time of publication. Loughborough University Arts reserve the right to substitute or vary programmes if necessary.
Hosted By
Radar
Radar is Loughborough University’s contemporary arts programme, enabling creative exploration and furthering critical debate through commissions, films and conversation.
The University is the largest single site campus in the country and as such offers artists a rich source of material and knowledge to inform and develop their practice. With each programme artists are invited to tap into this resource, whether that be through a dialogue that informs the conceptual framework or through utilising the technical and production facilities available. This process of interaction between artist and academic and artist and university is central to the programme. While the artistic outputs are not confined to one space, or to the campus, the relationship to the context is fixed, providing a bond between the divergent responses.
The artistic outputs are also used to engender further debate and exploration of the ideas contained within the work. The art works are used to initiate conversations between different disciplines, not only artist and academic but academic and academic and student and academic further encouraging a mutually beneficial exchange of knowledge and skills.
www.arts.lboro.ac.uk/radar
